别名:
死了一个玛德莲娜之後(台)
导演:
主演:
上映:
2021-02(鹿特丹国际电影节)
更新:
2024-05-31 14:12:02,最后更新于
2天前
豆瓣评分:
0.0分
备注: WEB-1080P
剧情:
A broken body in a white dress, lying lifeless in a swaying soya field. Who killed the trans woman Madalena, how and why is never revealed in the Brazilian film Madalena. In his assured debut, director Madiano Marcheti doesn't even reveal how the corpse was discovered. Yet the image of this motionless body lends an extra charge to everything that follows. Marcheti follows three protagonists in turn. They don't know one another, but are all in some way connected through Madalena. Luziane, a club hostess, knocks on her door for money. Wealthy Cristiano inspects the vast expanse of soya fields for his demanding father. Trans woman Bianca and her girlfriends divide Madalena's things between them while reminiscing. Marcheti shot the film in the agrarian region where he grew up, capturing with great visual flair this largely unfilmed rural part of Brazil. A place where big agricultural machinery crawls monster-like across the landscape and the farthest corners are known only to drones. A world that can also take on a spooky aspect – now and then, Marcheti inventively gives an eerie twist to even the most everyday scene. Madalena is above all a window on a world that is getting out of control. But Marcheti is also clearly making a statement about his country, which has the highest rate of murder of transgender people in the world. A plea for empathy, rather than pity. 收起
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电影《玛德琳娜》的剧情详细介绍
◎影片名称:玛德琳娜
◎影片别名:死了一个玛德莲娜之後(台)
◎豆瓣链接:35030782
◎IMDb链接:tt12872150
◎影片时长:85 分钟
◎影片导演:马迪亚诺·马尔切蒂
◎上映日期:2021-02(鹿特丹国际电影节)
◎影片地区:巴西
◎影片语言:葡萄牙语
◎更新时间:2024-05-31 14:12:02
◎影片剧情:
A broken body in a white dress, lying lifeless in a swaying soya field. Who killed the trans woman Madalena, how and why is never revealed in the Brazilian film Madalena. In his assured debut, director Madiano Marcheti doesn't even reveal how the corpse was discovered. Yet the image of this motionless body lends an extra charge to everything that follows.
Marcheti follows three protagonists in turn. They don't know one another, but are all in some way connected through Madalena. Luziane, a club hostess, knocks on her door for money. Wealthy Cristiano inspects the vast expanse of soya fields for his demanding father. Trans woman Bianca and her girlfriends divide Madalena's things between them while reminiscing.
Marcheti shot the film in the agrarian region where he grew up, capturing with great visual flair this largely unfilmed rural part of Brazil. A place where big agricultural machinery crawls monster-like across the landscape and the farthest corners are known only to drones. A world that can also take on a spooky aspect – now and then, Marcheti inventively gives an eerie twist to even the most everyday scene. Madalena is above all a window on a world that is getting out of control. But Marcheti is also clearly making a statement about his country, which has the highest rate of murder of transgender people in the world. A plea for empathy, rather than pity.
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