Traces the Beats from Allen Ginsberg and Jack Kerouac's meeting in 1944 at Columbia University to the deaths of Ginsberg and William S. Burroughs in 1997. Three actors provide dramatic interpretations of the work of these three writers, and the film chronicles their friendships, their arrival into American consciousness, their travels, frequent parodies, Kerouac's death, and Ginsberg's politicization. Their movement connects with bebop, John Cage's music, abstract expressionism, and living theater. In recent interviews, Ginsberg, Burroughs, Kesey, Ferlinghetti, Mailer, Jerry Garcia, Tom Hayden, Gary Snyder, Ed Sanders, and others measure the Beats' meaning and impact. Written 译文(2): 从艾伦 · 金斯伯格和杰克 · 凯鲁亚克1944年在哥伦比亚大学的会面追溯到金斯伯格和威廉·柏洛兹在1997年去世。三位演员对这三位作家的作品进行了戏剧性的诠释，电影记录了他们的友谊、他们进入美国意识、他们的旅行、频繁的模仿、凯鲁亚克的死亡和金斯伯格的政治化。他们的运动与比波普、约翰 · 凯奇的音乐、抽象表现主义和现场戏剧紧密相连。在最近的采访中，Ginsberg，Burroughs，Kesey，Ferlinghetti，Mailer，Jerry Garcia，Tom Hayden，Gary Snyder，Ed Sanders，和其他人评估了 Beats 的意义和影响。写好了
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